Sonata for piano

Although this work structurally follows the traditional form, it is conceived as a detailed study of dissonance. It does so through a chromatic language derived from the chordal formations by fourths, mixed harmonies, formations by thirds, and the occasional use of the tone scale, as well as the polarisations produced by sounds considered as generators. The harmony, generally colourful and percussive, sometimes leads to a counterpoint that emerges as a variant and mirror. The score is fundamentally rhythmic, percussive and colourful, using a piano that combines traditional and contemporary techniques.